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  Brendan D. Towell

Reconsiderations:
​A Collection of
Thoughts & Reflections

Personal musings on a wide-range of topics & interests. Posts vary therefore in both theme, depth, & length (also in frequency). Some posts are more professional, while others will be more casual. My publications with the National Catholic Register can be accessed via their website. Enjoy! 

​A Gospel for the Conclave: Obedience, Love, and the Petrine Office

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While my “favorite” Gospel is Luke’s (for personal reasons), one of my all-time favorite Gospel passages was proclaimed today, on the Third Sunday of Easter (Year C): John 21:1–19.

I couldn’t help but reflect on how this passage is the perfect one to meditate on as the College of Cardinals prepares to seal the doors of the Conclave this Wednesday (May 7th). This Gospel is so rich in the way it presents the relationship between Jesus and St. Peter—and, by extension, the Lord’s ongoing relationship with Peter’s successors: the popes.
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I offer a brief exegetical breakdown of some key moments in the Gospel, which I hope readers will take to heart and prayerfully reflect on. If you missed Mass, I encourage you to read the passage first HERE.

The Boat as the Church

The “boat” has long symbolized the Church. The apostles are out fishing but catching nothing—until they accept direction and obey the Lord by casting their nets in a new way. Then they have a bountiful catch. So too, our next pope must be obedient to the call and instruction of Jesus. It’s no coincidence that the word obedient comes from the Latin ob-audire, meaning "to listen to."

Peter’s Eagerness and His Clothes

Once Jesus is identified as the one giving instruction from the shore, notice Peter’s curious reaction—he “tucked in his garment” (depending on the translation) before jumping into the water. He doesn’t strip down to avoid getting wet. Instead, he remains clothed and rushes to Jesus.

In Scripture, nakedness often symbolizes shame, going all the way back to Adam in Genesis. But Peter, unlike Adam, is not naked before the Lord. He is clothed—albeit soaking wet—and unashamed. I also love the immediacy of Peter’s response. Once he realizes it’s Jesus, he acts without hesitation. One can only hope the next pope is just as eager to “jump” into action in the name of Christ.

153 Fish and the Mission of the Church

Any time Scripture offers an oddly specific number, pay attention! The number of fish hauled in is recorded as 153. Why that number?

Scholars note that 153 was believed to be the number of known fish species in the ancient world at the time. The author of John likely chose this figure to show that Christ’s universal (catholic) Church is meant for all people. Every “kind” is welcome. Everyone is invited to the feast.

This is a beautiful detail often overlooked by the average congregant.

And notice who hauls in the net - Peter, by himself. Earlier in the passage, the apostles as a group can’t bring in the net, but Peter is the one who draws all the fish to Christ. And “the net was not torn.”

Indeed, it is the pope (more so then any other bishop) who has the particular responsibility of drawing us to Christ and keeping us united to Him. And when he does so with an authentic and faithful heart, the Church will not be torn apart. We will remain as one.

“Do You Love Me?” – A Deeper Look at the Greek

At the end of the Gospel, we get a fascinating exchange between Jesus and Peter that often gets flattened in English translation.

In Koine Greek, the language of the New Testament, there are multiple words for “love.” In English, we only have one—so the subtlety in this dialogue is often lost.

Too often, we read this simply as a threefold affirmation of love to counter Peter’s threefold denial. And while that’s certainly part of the meaning, there’s more going on.

Let’s define the two key Greek words used:
ἀγαπάω (agapáō): Divine, selfless, unconditional love


φιλέω (philéō): Brotherly affection or friendship


Here’s how the conversation unfolds:

First Time (v.15)
 Jesus: "Simon, son of John, do you love (ἀγαπᾷς) me more than these?"
 Peter: "Yes, Lord, you know that I love (φιλῶ) you."

Second Time (v.16)
 Jesus: "Simon, son of John, do you love (ἀγαπᾷς) me?"
 Peter: "Yes, Lord, you know that I love (φιλῶ) you."

Third Time (v.17)
 Jesus: "Simon, son of John, do you love (φιλῶ) me?"
 Peter was grieved and replied: "Lord, you know everything; you know that I love (φιλῶ) you."

Many scholars suggest that Jesus is gently guiding Peter (and his successors) from a place of overconfidence to a humbler, more grounded love. The final shift (when Jesus uses philéō) shows that Jesus meets Peter where he is, emotionally and spiritually.

The message is clear: even imperfect love, if sincere, is enough.

A Prayer for the Next Pope

As the College of Cardinals gathers this week, my hope is that they are attentive to the Holy Spirit and choose a faithful successor to St. Peter - one who will gather, feed, tend to, and defend Christ’s flock.

May he love Christ, not just with lofty words, but with real action. May he, like Peter, jump into the water fully clothed and unashamed, ready to serve.
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A Reflection on Dostoyevsky's, The Idiot

7/17/2023

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As a Catholic secondary school educator, trained in theology, I am continually drawn to literary works that delve into the intricacies of human nature and explore the profound questions of existence. Fyodor Dostoyevsky's novel, The Idiot, is a masterpiece that captivates readers with its profound examination of the human condition. This reflection aims to highlight the spiritual themes and moral implications presented in the novel from the lens of Catholic theology.

One of the central themes in The Idiot revolves around the nature of innocence and the redeeming power of love (and beauty). Prince Myshkin, the protagonist, embodies a Christ-like figure who supplies innocence and purity amidst a morally corrupt society. The Prince's sincere compassion and unwavering love for others mirror the teachings of Christ. His interactions with the characters in the novel, such as Nastasya Filippovna, Aglaya Ivanovna, and Rogozhin, reveal the transformative potential of love in the face of human brokenness and sin. Through the Prince's example, Dostoyevsky reminds us of the Catholic belief in the redemptive power of love and the possibility of forgiveness for even the most flawed individuals.

Furthermore, The Idiot delves into the complexities of human nature and the struggle between good and evil. Dostoyevsky skillfully portrays the internal battles within the characters, reflecting the Catholic understanding of the fallen nature of humanity. The Prince, despite his genuine intentions, faces constant challenges and betrayals that test his faith and push him towards despair. His encounters with characters like General Yepanchin and Ippolit expose the moral dilemmas and existential crises faced by individuals striving to live virtuous lives in a fallen world. This should resonate with any reader as we can all empathize with themes of humanity’s struggle against sin and the constant need for God's grace to resist temptation and grow in holiness.

The Idiot also explores the consequences of pride and the pursuit of worldly desires. Characters such as Nastasya Filippovna and Rogozhin symbolize the dangers of succumbing to one's basest desires, leading to destruction and spiritual ruin (there is also a socio-economic lens with which you can read these characters but that is not my field). Their inability to transcend their pride and self-centeredness ultimately results in tragedy. Dostoyevsky's portrayal of the destructive power of unchecked passions echoes the Catholic teachings on the importance of humility, self-control, and detachment from worldly attachments. The novel serves as a poignant reminder that true fulfillment and happiness can only be found by aligning our desires with God's will and embracing a life of virtue.

Reading Dostoyevsky's The Idiot through the lens of a Catholic theology teacher offers a rich and thought-provoking exploration of profound spiritual themes. The novel's examination of innocence, love, the struggle between good and evil, and the consequences of pride offers valuable insights that resonate with Catholic teachings. It invites readers to reflect on their own journeys of faith, the complexities of human nature, and the transformative power of love and redemption. Through Dostoyevsky's masterful storytelling, we are compelled to ponder the depths of our own humanity and our ongoing pursuit of virtue in a broken world.
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Further Reflection Suggestions:
  • The Catechism of the Catholic Church (2844): "Forgiveness bears witness that, in our world, love is stronger than sin. The martyrs of yesterday and today bear this witness to Jesus. Forgiveness is the fundamental condition of the reconciliation of the children of God with their Father and of men with one another.

  •  The Catechism of the Catholic Church (405): “Although it is proper to each individual, original sin does not have the character of a personal fault in any of Adam's descendants."

  • The Catechism of the Catholic Church (1866): "Vices can be classified according to the virtues they oppose, or also be linked to the capital sins which Christian experience has distinguished, following St. John Cassian and St. Gregory the Great. They are called "capital" because they engender other sins, other vices."

  • The Catechism of the Catholic Church (2540): "Detachment from riches is necessary for entering the Kingdom of heaven. 'Blessed are the poor in spirit.' The beatitude manifests an order of happiness and grace, of beauty and peace. Jesus celebrates the joy of the poor, to whom the Kingdom already belongs."
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  • Matthew 5:5: "Blessed are the meek, for they will inherit the land."
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